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Anger and exasperation are at the core of All Day All Night, her new show at the Whitney.
Degrees of Deaf Rage, first exhibited at the 2019 Whitney Biennial, may be her best work.
Other captions read: Fake terps at news conferences.
Kim takes her position as a spokesperson for the disabled seriously.
InAccess Rider, Kim prescribes how her work should be written about.
just exercise sensitivity, she says, citing the oppression faced by the Deaf community.
Is this identity art?
