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Get your Sure, its copaganda, but … talking points ready, because its time to binge.
Homicideadmittedly had its weak spots.
Romantic subplots tended to be unbelievable or underdeveloped.
Theres an episode, Full Moon, thats basically justTwin Peakscosplay.
What the seriess creative teamwasable to accomplish despite all this interference is worth celebrating.
Crosetti (season three, episode four)
This ones a heartbreaker.
Youll know it when you see it.
Its a good contrast with valid arguments on both sides.
(Oh, what blessed halcyon days.)
(His castmate Johnson directed five, including this episode.)
Yeah, thats gonna be on this list!
The ending is a shock, but it doesnt come out of nowhere.
But does that mean he doesnt deserve their assistance in figuring out who pushed him?
Its a straightforward ethical question that makes for a thrilling, troubling episode.
Once you were in the NBC crime-drama casting pool, you stayed in the NBC crime-drama casting pool.
(SomethingThe Wireconfirmed by casting Johnson as the similar world-weary and streetwiseBaltimore Suncity editor Gus Haynes.)
It aint got nothing to do with life.
Literal, figurative, and just insightful enough to demonstrate what madeHomicideso good.
The two primary action scenes are cacophonous and unexpected, exactly howHomicidealways did it.
